Nice to see or rather hear Contrad Blame on Radio 1 from a couple nights ago talk about the making of his early Jungle/Hardcore anthem classic, “Music Takes You” This was first recorded way back in 1992 at Luton’s very own “33 Studio” at the Art’s Centre in Guildford street and it was originally engineered by yours truly. The original white label I engineered for Blame, “Music takes You” went on to be taken onboard Rob Playford’s Moving Shadow rostrum and became a huge hit reaching number 1 in the Dance Music charts and making the lower end of the national charts.
” A bright eyed youth walked into 33 Studios one day in 1991 and claimed he would receive a grand for making a record. After we ripped a couple of records for samples, we laid out the track added some MIDI synth lines then I suggested we try my Juno 106 for bass sounds. After a twiddling we set upon a big fat sound. He left the studio with a smile and I thought that would be it! Six months later he returned with a 12" and a bigger smile. The record had gone big time in the underground rave scene. Although you won't find me credited on the sleeve, as Rob Playford had seen the potential and took Konrad (Blame) under his wings and produced 3 other mixes and re-released with proper clearances. I recorded and helped Konrad produce the 'Original Mix' and yes, the phat bassline was from my Juno! “
Above taken from my Discography If the Video does not show then please click here
Cherry Red Music has just released a 4 x CD + book set entitled Optimism / Reject – Punk and Post-Punk Meets D-I-Y Aesthetic: 4CD Deluxe Bookpack Edition. ( CRCDBOX74 )
One of my early tracks is included within this collection. This collection includes “Exhibition” by Pnemania which was originally on “Plastic Records” (Plas 001) – the split and flip side with UK Decay’s “UK Decay”. This was my first ever published recording, a song I co wrote with Pneu Mania’s Gaynor, (aka Snow White). I joint owned Plastic Records along with Captain B, Steve Harle and Steve ‘Abbo’ Abbott
“In the wake of punk, musicians in the UK found themselves suddenly liberated artistically and free to think in new terms commercially. The outcome was the independent label boom, and beyond that a certain Do It Yourself aesthetic. Overnight, the possibility arose of recording your own music and releasing your own record, or, if you weren’t musical yourself, setting up your own label to release records by people who were. “
A month after the rather successful gig at Wave Gottic Treffen in Leipzig, my band UK Decay arose at ridiculous o-clock on the morning of July 13 to set off for Poland. We found ourselves at Luton Airport which to all intent and purpose resembled a building site and headed for check in for the early Wizzair flight to Wroclaw Airport. We landed at 11am and we drove an hour to the Krokus Hotel in Kamienna Góra where we were staying for the event. Our wonderful host’s there cooked us a wonderful local Polish meal after which we took to our rooms for a short afternoon siesta. I had been up since 3.30am and we had to rest as much as possible for our performance. I guess i got about an hour and a bit nap, better than nothing! At 6pm the minibus arrived to drive us the ten miles to Bolkov and the festival. Apparently the small town of Bolkov does not have enough accommodation for the huge Castle Party Festival.
Finally we arrived at the small medieval market town and noted the old stone houses, most of which seemed worse for wear and in need of a lick of paint here and there but the overall aura was charming. We turned up a narrow cobbled street and then we found ourselves navigating slowly uphill through a throng of wild black and sometimes colorful dress. Eventually we arrived at an area set with a multitude of stalls selling food, beer and fashion accoutrements of all different shapes and sizes. We were stopped by an official who escorted us to the Festival office round the corner. At this point we had our first view of the castle walls and tower looming impressively above us.
Festival wrist bands now in place three nice chaps took our heavy cases and guitars and led the way up the Castle and from there to our changing rooms which it turned out was high up in a tower behind the taller main tower. The Castle reminded me of the classic Norman Motte and Bailey Castle which was then rebuilt in stone in places like Wales by King Edward to hold the welsh to check. Built on a high outcrop of stone there was a classic ribbon wall surrounding the Bailey in which area hosted the large stage and crowd. This then led to the inner castle fortifications surrounding the inner halls and towers. So as we walked past the side of the stage we looked across at the impressive audience gathered. Unfortunately Ed our bassist had twisted his back the week previously and the climb up to the castle was taking it’s toll. Now we had a flight of a rough stone block staircase to navigate with the ‘steps’ some 10 to 12 inches (25 cms) apart to take us into the now roofless great hall. Quite a climb even if you are fit and healthy, Ed struggled along but he was in pain. We crossed the hall where several folk were drifting about, perhaps in other bands or working. We passed a row of cannons to get to the other side and now had yet another flight of stone steps to clamber up, to an open hallway that featured a small trebuchet . Next to this was our changing rooms where a host of people were milling about and to the side was a spread of food and soft drinks people were dipping into.
We found a space and started prepping our stuff for the show. Looking around there were museum exhibits and information boards in Polish. From what I could gather the Castle seemed to have been built by the polish version of the Knights Templar (Tuetonic Knights?) I promised myself I would look into the history later. Meanwhile it was getting closer to our performance time. I looked out of the windows, three of them with magnificent views of the local landscape. There were mountains not so far away and in context it seems Bolkov and the castle are in the foothills of these mountains. Over to the right the sky was looking foreboding. Up until then it was cloudy with warm sunny spells , now a downpour was on it’s way. The band that was onstage before us was still playing when the clouds burst forth with a heavy downpour. Most of the crowd ran for cover and I felt really sorry for the band. The rain continued to pour, the light went dour and dimmed. A word from the promoter said we had to await the storm passing over. Eventually a few minutes before we were due to start our performance the promoter gave us the all clear and we made our way carefully across sodden cobbles, puddles and muddy patches towards the stage.
We went through a stone lined tunnel entrance and then entered the soggy auditorium which was still largely vacated and quickly started setting up our equipment. The stage manager was keen to get us playing as the storm had caused a considerable 15 minute delay to the proceedings so after a very quick line check and with the audience returning , we opened our set with UK Decay’s classic “Shake Em Up” from the album, ‘New Hope For The Dead’
Time goes on away-day once in performance mode, from my perspective, it was a huge stage to fill and my supplied amp (Marshall JTS) seemed somewhat distant and I struggled a bit to get the guitar to ‘sing’ the feedback especially as I managed at the recent Leipzig gig. Having said that I soon adapted as the songs of our set passed through. Aside from a couple of minor cock ups most of the songs were performed really well, If I say so! Abbo was with the aid of his Iphone was communicating in Polish with the crowd which they seemed to love! God knows what he was saying but hey, good on him! Before long the last few songs were on the radar the crowd had returned and seemed huge! There were people on the parapets watching us and the sun was setting in the distance. And then we were on the last song. The promoter was looking at his watch, I had no idea of what time it was but he leans over to me and said “last song”, I shouted that to Abbo. We had two songs left on the list, we played through the first which was “Unexpected Guest”. The promoter said that was it. The message didn’t get through to Ray who started to tap the would be final song but Abbo stopped him and we left the stage to thunderous applause.
So we then packed up our gear, chatted to people and caught up with a few beers. Time to chill before the return to our hotel. At midnight the minibus took us back so we could maybe get a couple hours shut eye and a shower before leaving for the airport once more at 3am. We then drove across back road Poland during the night about 70 miles at sometimes eye watering speeds in two vehicles. At one point the van in front swerved and we braked sharply to avoid a wild Boar. Finally we got to the airport and all the rigamarole and eventually flew back to Luton, where we had to wait over an hour for our baggage reclaim. Tut Tut Luton Airport ! I can only assume it will all be so much better when they finish the building works.
So I got back home at 10am, that is 31 hour after I left, what a day!
I have just returned from Wave Gottic Treffen 2019. My band UK Decay were celebrating their 40th anniversary
UK-Decay played at the Taubchenthal concert venue in hot style as they return to Leipzig in Germany’s wonderful Wave Gotic Treffen Festival 28
This was UK Decay’s first gig with the full line up in five years and the old magic was still there in the bands spirited performance. Of course it wasn’t without minor hickups, but the sound was absolutely awesome! Those German sound people really know their stuff!
This was our third outing to the Wave Gottic Treffen Festival in a decade and in my opinion and as far as I am concerned our best yet performance. There is always room for improvement but considering we don’t have the luxury of rehearsing more than once or twice before a gig, we played really well. the audience was great too, providing a magical and magnificent atmosphere, which really lifts the soul!
Well it has been a while since I posted here, I have been
busy working on a new bunch of ear candies for you delightful people.
First, I am back on the road playing guitar with UK Decay for a few concerts this year to mark the 40 year anniversary of the band. It has been five years now since UK Decay last played at the Blackpool rebellion Festival back in August 2014. The band is thus far booked to return once more to Wave Gottic Treffen in Leipzig Germany on Saturday June 8th 2019. A month later the band are set to play the Castle Festival in Wraclaw Poland on July 12th. There will of course be UK gigs to be announce for later in the year.
Whilst back in shape on the guitar once more I am currently
crashing out a bunch of new ideas on my updated DAW. I have upgraded this
lately so I have a heap of new software and stuff to aid my quest for the
ultimate auditory orgasm. I will be complementing my usual foray into
Intelligent Drum and Bass and Ambient Dub with new left of field compositions
using cutting edge software plugins and hardware effects. As always I will look
to the past to seek out a future that should have been and could never have
been within this current timeline. Yes at my time in life I have ideas coming
from all directions and I have seldom felt so good about my compositions. There
is some time to go yet before anything will be ready for public consumption but
currently I am reaching perhaps a couple albums worth with a different feel or
style on each. My working title for one of the collections is “Ear Flowers” but
that may change once published. It may be another year before I get this shit
out but I am sure the wait will be worth it.
I have made the decision to mix all of the new material in a
5.1 also called Surround format in a way to kind of future proof it. I will
also be recording my master files to the 192k bitrate, which currently is one
of the highest resolutions possible. All this is to guarantee the best possible
quality. In case you are wondering, there will also be the standard CD stereo quality.
Matt Hudson and Steve Spon discuss life in punk Luton back in the day.
I was featured recently in an Anglia TV special marking 40 years since the punk movement. This two part mini documentary series is about punk in the Eastern Counties and was hosted by Anglia TV’s Matt Hudson who was a big punk fan and UK Decay fan.
Matt was the same presenter who featured UK Decay and Bauhaus in “The Origins of Goth” feature back in 2014.
Also featured are Steve Ignorant from Crass, Charlie Harper from UK Subs and author and university lecturer Matt Worley whose new book No Future is an in-depth look at the effect punk had on politics and culture.
There are also some still shots of early 1980’s Luton Punks featured on the show taken from UK Decay’s Communities web archive.
Yesterday I returned to the Hat Factory Arts and Media Center in Luton to take part in an interview with Anglia TV’s Matt Hudson. He is a massive UK Decay fan and sent me a host of live tapes ten years ago when we were getting the UK Decay Communities website going.
Matt is putting together a show that highlights the birth of the punk movement in the Anglia region and what it was like growing up throughout the Punk era. It is something that he is quite knowledgeable about as he grew up in this scene himself. So we had a couple hour chat with edited highlights to be seen on the forthcoming production due out in the new year. Besides your truly Matt has interviewed Steve Ignorant , Chris Needs who played guitar for The Users in Cambridge, Matt Whorley whose book No Future has just been published by Cambridge University Press and Jonty Young who runs the Punk in the East website. There will also be a special emphasis on tales from the gig at the end of the pier, The West Runton Pavilion. So a lot to look forward to!
Please check back here or visit UK Decay ‘s family of websites for updates on this
I have a couple of tracks coming out on this forthcoming release due out in June 2017 on Cherry Red. This will be one of the most compelling Goth compilations ever to see the light of day.
On disc one, I co wrote and performed a song I brought to the mix after I was ‘poached ‘ by UK Decay from Pneumania in 1979 – ‘Black Cat’. This became one of the most enduring UK Decay live tracks during both the early and later periods. A few tracks later I appear with- IN Excelsis on a track called Carnival Of The Gullible’. I formed In Excelsis with Mark Bond and Errol Blythe formerly from Post Punk legends, Ritual and Colin Rocks who later joined Mark. E. Smith with The Fall.. Errol and Mark were left stranded after drummer Raymundo and Bassist Jamie were ‘poached’ by Ian Astbury form Southern Death Cult so after UK Decay split at the end of 1982. This was a weird period for me, I flirted with Gaynor and Rick from World Circus, Jammed with Rob from The Wall , then finally teaming up with Mark Errol and Colin to form IN Excelsis in 1983. Richard Anderson got in touch with me in 2016 explaining his interest in creating the ‘ultimate’ Gothic Rock compilation, so I digitally re-mastered ‘Black Cat’ especially for this compilation.
Below is a bit of ‘official’ blurb about the compilation
Cherry Red have announced the tracklisting for “Silhouettes and Statues” – A Gothic Revolution: 1978 – 1986 5CD collection, which is due 30th June. Silhouettes and Statues is described as “an era-defining journey through the gothic revolution that thrived in the underbelly of the UK’s music scene during the late 1970s and 1980s. From Joy Division’s haunted soul-searching to the wild, hairspray guzzling antics of Alien Sex Fiend and everything in-between, the myriad components of that time and place are brought together here for the first time in this kind of detail.”
The set comes in a deluxe hardback book format featuring 80+ tracks, with over 18,000 words of sleevenotes (including artist contributions) and unseen images.
Abbo and I will be at Luton’s Hat Factory Art’s and Media Centre on Friday 25th November to talk about Punk in the Luton area back in the late seventies. This is part of the “40 years of Punk” celebrations going down over November at that venue and widely across the country. I am hoping to put together a few slides of various characters, bands, venues, fanzines from Luton and the surrounding are during the late seventies early eighties period. Hopefully this inspire discussion among ourselves and the audience.
Then Justin Saban will join us and we shall perform a couple our punk platters ‘unplugged’ style. So after I have written this I had better dust off the cobwebs of my guitar and get practicing!
When are UK Decay returning for more gigs and recordings? – As part of the talk we shall be hosting a questions and answers session hopefully this question and many others will be answered!
Tickets are just £5.00 bookable in advance from here