Diamond Seeds DS-NS-006 : Single available Bandcamp and CD Baby
" Pan ~ Transversal " what’s up with this?
Developing from the theme from "Multiversal", "Crystalwych" and “Optimum Singularity” “ Pan ~ Transversal” is a deep and dark trip into a primordial world reminiscent of something out of Dante’s Inferno or something out of one of Hieronymus Bosch paintings.
There are two movements which I see like lines converging into a form within the piece as the journey moves through monolithic and dripping reverberations, enticed by diabolical jesters and pied pipers to an otherworld where physics and geometry as we know is turned upside down. Out of the void comes the music box that falls without the famous Spaghetti Western scene. The scene is set for the arrival of the horned god Pan as Crowley’s ode is invoked, oozing with hammer house drama. “Oh Pan” leads up to the frenzy. Here, Pan’s pipes are morphed into a dramatically intense Brass motive.
Then cometh the discordant drum and bass breaks and the track proper kicks in with the D n B equivalent of the drunken stance in the Shaolin kung fu.
Well I will leave it at that, make of it what you will. Personally this track deeply contrast’s the earlier trio of kinder gentle motion with an exciting wild and dazzling earthy flavour, I sure hope ‘Pan’ will think this as a worthy contribution to his mythos.
" Pan ~ Transversal " what’s up with this?
Developing from the theme from "Multiversal", "Crystalwych" and “Optimum Singularity” “ Pan ~ Transversal” is a deep and dark trip into a primordial world reminiscent of something out of Dante’s Inferno or something out of one of Hieronymus Bosch paintings.
There are two movements which I see like lines converging into a form within the piece as the journey moves through monolithic and dripping reverberations, enticed by diabolical jesters and pied pipers to an otherworld where physics and geometry as we know is turned upside down. Out of the void comes the music box that falls without the famous Spaghetti Western scene. The scene is set for the arrival of the horned god Pan as Crowley’s ode is invoked, oozing with hammer house drama. “Oh Pan” leads up to the frenzy. Here, Pan’s pipes are morphed into a dramatically intense Brass motive.
Then cometh the discordant drum and bass breaks and the track proper kicks in with the D n B equivalent of the drunken stance in the Shaolin kung fu.
Well I will leave it at that, make of it what you will. Personally this track deeply contrast’s the earlier trio of kinder gentle motion with an exciting wild and dazzling earthy flavour, I sure hope ‘Pan’ will think this as a worthy contribution to his mythos.