ITV Punk Special in 2018!

Interviewed for ITV Punk Special out in 2018!

Yesterday I returned to the Hat Factory Arts and Media Center in Luton to take part in an interview with Anglia TV’s Matt Hudson.  He is a massive UK Decay fan and sent me a host of live tapes ten years ago when we were getting the UK Decay Communities website going.

Matt is putting together a show that highlights the birth of the punk movement in the Anglia region and what it was like growing up throughout the Punk era.  It is something that he is quite knowledgeable about as he grew up in this scene himself. So we had a couple hour chat with edited highlights to be seen on the forthcoming production due out in the new year. Besides your truly Matt has interviewed Steve Ignorant , Chris Needs who played guitar for The Users in Cambridge, Matt Whorley whose book No Future has just been published by Cambridge University Press and Jonty Young who runs the Punk in the East website. There will also be a special emphasis on tales from the gig at the end of the pier, The West Runton Pavilion. So a lot to look forward to!

Please check back here or visit UK Decay ‘s family of websites for updates on this

Silhouettes And Statues 5 CD Gothic Compilation

Silhouettes And Statues

Silhouettes And Statues 5 CD Gothic Compilation

Silhouettes And Statues 5 CD Gothic Compilation

I have a couple of tracks coming out on this forthcoming release due out in June 2017 on Cherry Red. This will be one of the most compelling Goth compilations ever to see the light of day.

On disc one, I co wrote and performed a  song I brought to the mix after I was ‘poached ‘ by UK Decay  from Pneumania in 1979 –  ‘Black Cat’.  This became one of the most enduring UK Decay live tracks during both the early and later periods.  A few tracks later I appear with-  IN Excelsis on a track called  Carnival Of The Gullible’. I formed In Excelsis with Mark Bond and Errol Blythe formerly from Post Punk legends, Ritual and Colin Rocks who later joined Mark. E. Smith with The Fall..  Errol and Mark were left stranded after drummer Raymundo and Bassist Jamie were ‘poached’ by  Ian Astbury form Southern Death Cult so after UK Decay split at the end of 1982. This was a weird period for me, I flirted with Gaynor and Rick from World Circus, Jammed with Rob from The Wall , then finally teaming up with Mark Errol and Colin to form IN Excelsis in 1983.    Richard Anderson got in touch with me in 2016 explaining his interest in creating the ‘ultimate’ Gothic Rock compilation, so I digitally re-mastered ‘Black Cat’ especially  for this compilation.

Below is a bit of ‘official’ blurb about the compilation

Cherry Red have announced the tracklisting for “Silhouettes and Statues” – A Gothic Revolution: 1978 – 1986 5CD collection, which is due 30th June.  Silhouettes and Statues is described as “an era-defining journey through the gothic revolution that thrived in the underbelly of the UK’s music scene during the late 1970s and 1980s. From Joy Division’s haunted soul-searching to the wild, hairspray guzzling antics of Alien Sex Fiend and everything in-between, the myriad components of that time and place are brought together here for the first time in this kind of detail.”

The set comes in a deluxe hardback book format featuring 80+ tracks, with over 18,000 words of sleevenotes (including artist contributions) and unseen images.

See the tracklisting here

 

Spon-Abbo-40 years punk in Luton

40 Years Of Punk in Luton..

Abbo  and I recently visited The Hat Factory Arts and Media Centre in our hometown to discuss Punk Rock in the UK’s 40th year. Our performance was entitled “Luton, Centre of the Punk Rock Universe with Abbo and Spon

The chair and MC for the night was Fahim Qureshi from Luton Culture whom was more than well qualified to host the proceedings as Fahim or ‘Fame’ was an active spiky haired punk about town back in the late seventies. Back then he was promoting some of the earliest punk gigs in Luton including the Barnfield College Gigs and was a co-hand at promoting the infamous Crass, Poison Girls and UK Decay gig at Marsh Farm in late 1979.

I prepared a powerpoint slide show of images of gig posters, press cuttings,  punks, punk bands of most of the early events that happened in Luton from 1976 onwards. This acted as a stimulus for discussion with ourselves and the audience.  Forty years is a long time and memories can sometime play tricks, it can be good to share with others that were around at the time. Sometimes forgotten stuff can resurface in discussion with others and alternative insights can enlighten a memory. Hence I think everybody that participated provided real interest and content to the discussion.

Abbo had attended his Mothers funeral late after getting caught up in the ‘Black Friday’ traffic that afternoon so it couldn’t have been more difficult for him. I don’t know how he managed, most people would have been in pieces , I certainly would! You have to have maximum respect for the man’s professionalism.

We talked about the early punk gigs in Luton including the first at the Royal Hotel in Mill Street on October 6th 1976 with The Damned playing their tenth ever gig.  There was a few in that company who had been there all those years ago! Including myself! We talked about the gigs and the bands , the great creativity , the great antipathy that punks suffered in what was difficult times. There was often trouble at gigs back in the day, but this was the price to be paid for deliberately stepping into what was then a tribal culture which to some seemed hell bent on nihilism and disorder, To us it was an exciting new territory of music , sound and anti-fashion  voyeurism to be explored and populated. In an age before the interweb we networked , created anarchistic fanzines, painted our jackets, wore cool punk badges (or buttons as they are called today) , dyed our hair with crazyclour (no wonder many of us ain’t got any hair left today!). Some of us promoted gigs, some of us did poetry, we created artworks and some of us did music , then of course it was the band! Our band.

Of course as Abbo and I were later both in UK Decay, there was a history before Decay in Luton. Of course Luton’s first punk was The Jets who were basically inspired by the Damned gig. They played at the infamous Roxy club in Covent Garden back in 1977 and appeared on the “Live At The Roxy” compilation. Things moved on through some of my other early bands as I eventually moved on from playing keyboards in Toad The Wet Sprocket – which more than a few in the audience remembered embarrassingly! Well perhaps I should be prouder of my history, Toad were a good band! but after seeing The Damned and later that month The Sex Pistols at the Queensway Hall in Dunstable, I started to wonder if the Blues that Toad tws played was right for me! I loved the new energy of Punk. It took me a year or two to realize that I would have to trade in my Vox Continental keyboard for a Guitar. This is what I eventually did in late 1978 when I teamed up with Captain Bluett and a bit later Gaynor (Snow White)

So we squatted an old house in Wellington Street  and turned the coalbunker basement into a rehearsal room. We soon got to know The Resistors another young band of whippersnappers he he!  particularly Martin and Steve Harle. some of the other chaps in the Resistors were in the audience and were delighted to see their younger selves up on the screen!

So there it was, we had created a potential meeting point that would help launch Luton’s Punk scene. Which by 1979 it did.  Snow White had now changed name to Pneumania and The Resistors, now with Abbo on vocals to UK Decay., We collaborated on a ‘Split Single’ , gigs and just about everything else! Later that year I joined UK Decay on guitar and it went on from there! The Split Single was Luton’s first D.I.Y release , we pipped the Jets, now The Tee Vee’s and The Friction’s ‘split single by a few weeks! So the Luton punk discussion for a time looked at this what we called ‘the second wave’ and actually some called it the ‘third wave’ after the initial explosion of 76. I guess the UK Decay part of Luton’s punk history has it’s place and I guess it would be natural for Abbo and I to talk about it!

It wasn’t all discussion either, we broke up the evening with half a dozen or so songs which was the closest thing  we could do to being ‘unplugged’. Justin Saban joined us onstage to help ‘glue’ our performance together. He brought along a bespoke stompbox which provided a rhythm and we played through a number of songs which included our first ever live performance of ‘Drink’ from our recent ‘New Hope From The Dead’ album. For that I created an mp3 of the violin part and played my guitar with my cell with the mp3 playing – all going through my stomp boxes and space echo! It was a first! Being as it was an ‘unplugged’ performance we had every excuse to sit down and play which to some might appear ‘unforgivable’  But it seemed to be about right for the timbre of the evening.

Eventually the evening rolled out to questions then more personal meetups at the bar later. The feedback I got was really good, we had provoked a keen interest and it was really good catching up with some of the peops from all those years ago. I guess next meettup and discussion wil be for the fiftieth in a decades time.

Thank Ron Todd for the pictures and video clips.




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Dumping It On Parliament - The Final Cut - Wrap Party

Dump It On Parliament Revisited


Watch Dumping It On Parliament documentary  by Andy Wilshire

I promised someone at the recent Luton Centre of the Punk Universe thing that I would post up a link to the recent documentary.
Last year I worked on with a couple of artists that were commissioned to take a look at the local alternative culture during the mid eighties.

Step back in time to the post-punk scene of the mid 1980’s. Think Siouxsie Sioux, a DIY ethic, scratch video, protest, Thatcher.

This is the backdrop to Dump It On Parliament Revisited, a new living history artwork exploring counter-culture local history, created by artists Dash MacDonald and Demitrios Kargotis (DASHNDEM) and artist/musician Roshi Nasehi as part of the 2015 Library as Laboratory commission.

DASHNDEM had discovered the story of the Dump It On Parliament post-punk compilation tape whilst researching Bedfordshire’s alternative local history. In 1986 a group of local post-punk bands, including Luton’s  Steve Spon from UK Decay, had joined together to create a musical protest tape, to campaign against a proposed nuclear waste site at Elstow near Bedford. In the end the government withdrew its plans but the tape was released and proved popular. The artists wanted to understand the socio-economic and political climate at that time and contrast it with what people are people angry about now.

This was a really eye opening and exciting project to work on Dash, Dem, Roshi and company were really inspired by the local scene’s coalescing protest during the mid eighties against nuclear dumping in nearby Elstow. There was a huge focus on the pre internet, Social Media age when protest and the D.I.Y culture carved precursory inroads that laid the foundations to the contemporary. Here students backpedaled and used cut and paste with scissors ,glue and Letraset  instead of Photoshop. Today’s bands from the area each provide a cover of the original compilation protest Cassette and go on to write an original song with today’s issues that  one might want to dump on parliament

The Original 1986 compilation

Luton: Centre of the Punk Rock Universe

With Abbo and Spon….

Spon (left) Abbo (right) at DV8 2012

Spon (left) Abbo (right) at DV8 2012

Abbo and I will be at Luton’s Hat Factory Art’s and Media Centre on Friday 25th November to talk about Punk in the Luton area back in the late seventies. This is part of the “40 years of Punk” celebrations going down over November at that venue and widely across the country. I am hoping to put together a few slides of various characters, bands, venues, fanzines from Luton and the surrounding are during the late seventies early eighties period. Hopefully this inspire discussion among ourselves and the audience.

Then Justin Saban will join us and we shall perform a couple our punk platters ‘unplugged’ style. So after I have written this I had better dust off the cobwebs of my guitar and get practicing!

When are UK Decay returning for more gigs and recordings? – As part of the talk we shall be hosting a questions and answers session hopefully this question and many others will be answered!

Tickets are just £5.00 bookable in advance from here

Further info

 

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Dump it on Parliament Revisited

Dump it on Parliament Revisited: The Documentary

I shall be calling in on the two punk music documentary s, “The Clash: Westway to the World & Dump it on Parliament Revisted” being shown at The Hat Factory Art and Media Centre in Luton on November 3rd. This being part of the Punk 1976 season…

November 2016 marks 40 years since the release of the Sex Pistols' debut single, Anarchy in the UK. To mark the anniversary of the movement, Luton Culture present a short season of Punk events. Punks influence and impact on Luton will be explored, as well as its continuing influence, from fashion to film, politics to identity, and, of course, music.

A film double bill.

The Clash: Westway to the World is a career retrospective of British punk band The Clash, featuring exclusive interviews with the entire band.

Dump It On Parliament Revisited tells the story of how in 1986 a group of Bedfordshire bands put together a music compilation tape to protest against a proposed nuclear waste dump near Elstow, and how that counter culture, DIY ethic still resonates for local bands and musicians today.

The film, created by Andy Willsher, meshes the past and the present, using interviews and original footage, and referencing the cut-up film making techniques that emerged in the Punk & Post Punk era in the late 1970s & 80s.

I make an appearance in the The Dump It On Parliament Revisited documentary a  project I was significantly involved with and very much enjoyed over 2015.

Further info

The Origins Of Goth

Mathew Hudson’s ITV Anglia News piece featuring Bauhaus and UK Decay about the origins of the Gothic Rock genre in Luton and Northampton. Interviews with Bauhaus manager Graham Bentley, UK Decay’s Steve “Abbo” Abbott and myself…Steve Spon.
Also includes footage of a very early Bauhaus gig at the Romany Pub, Northampton. The TV piece was first shown 31 October 2014.
The location of the mixing room, rehearsal and interview footage was Sound Arc Studios in Shefford near Bedford, recorded summer 2014.

Rising From The Greg

Rising From The Greg

gregstock1
I shall be performing a small solo set alongside Irritant at my dear late friend’s Rising From The Greg tribute event at the Hat Factory in Luton on July 23rd. This is an event supporting local charities. Not too sure at this point, what exactly I am going to do on the night but I am brewing up some ideas that will involve my trusty guitar, we shall have to see what happens!
The entry is free.

Rising From The Greg

Rising From The Greg

Dumping It On Parliament - The Final Cut - Wrap Party

Dump it on Parliament Revisited – The Final Cut

I am looking forward to the Dump it on Parliament Revisited wrap party on Monday 20 June 2016,  8.00pm at Leighton Buzzard Library Theatre, which reflects on last years amazing project I had the honour of being involved with. On the night there will be an exclusive listen to the new post-punk compilation Dump It On Parliament Revisited before its public release on Friday 24 June. The album, which was recorded live last year at Leighton Buzzard Library Theatre, will be played alongside the first screening of the accompanying documentary film that explores Bedfordshire’s flourishing 1980’s post-punk scene.

Further info here

and at UK Decay Communities

Dumping It On Parliament - The Final Cut - Wrap Party

Dumping It On Parliament – The Final Cut – Wrap Party

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