All posts by Steve Spon

About Steve Spon

Aerial Artist and Music Producer at Dronescaping Britain at Diamondseeds Media Productions

New Youtube Channel!

Dronescaping Ynys Prydain

Dronescaping Ynys Prydain.
Youtube channel featuring movies created by UAV footage and by Go Pro and Cell

On this channel I will be sharing some of the fantastic hidden gems that inhabit one of the remotest and least populated areas of all England and Wales. I will be using my DJI Mini 2 UAV orv ‘drone’ to reveal fabulous birds eye views of some of these ancient kingdoms historical and mythical Hillforts, Cairns, Stone Circles, Chambered Tombs, Standing Stones and other ancient artefacts.

The DJI Mini 2 is a fantastic beginners drone, there are plenty other channels that explain how it works, the remit of this channel is to get out there and get some wonderful footage. For me, the Mini 2 is a cinematic eye in the sky with the ability to record crystal sharp images and 4k video footage. I have been developing my drone flying and cinematographic techniques, it’s one thing to fly high and take pictures but it is another to entice, add drama and expectation, to tantalize, to thrill with a beautifully cinematic drone footage, revealing hidden Hillforts in all their glory.
All music by Steve Spon and Nostramus.

https://youtu.be/Eqp4Bx_YUlY
https://youtu.be/pGktICgfa9A

DJI Mini 2 Drone Cinematic footage of Teifi Valley Hillforts Part One Caer Gwytheryn

Welcome to “Dronescaping “Ynys Prydein” for those of you who are not familiar this translates from old British or Welsh into English as “The Isle of Britain” PILOT MINISERIES Part One : “Caer Gwytheryn” Hillfort WA2192 This is a pilot two part series, looking at three Iron Age Hillforts overlooking The Teifi Valley in Wales. This is part one of my series pilot investigating and revealing private, hidden and secret Iron Age Hillforts, most yet to be investigated by Archaeologists. Not much is known about these forts, communities and settlements , there is no doubt our ancestors in this part of the world utilized high promontories, atop deep cwms (narrow coombes or valleys) to either protect themselves or to show off to their neighbours or other would be adversary’s.

We are set in the kingdoms of West Wales, Ceredigion, Carmarthen, Pembrokeshire all counties in the former kingdom of Dyfed in Cymru in Ynys Prydien. Or sometimes this is spelt Prydian. There are literally hundreds of these hillforts scattered around this part of the world. Many are lost, sometimes they crumble into the Sea or sometimes they simply get ploughed out and forgotten. These are where the ancestors of these lands once lived, in this rugged and Atlantic affected part of the world where the ancient mountains, once high and sharp have been eroded by the eons and ground down by the glaciers, to form a rugged terrain of solid hills reaching up to 350 metres, with deep gullies or cwms to quickly dispose of the water dumped by the Atlantic Ocean. Farmers have mostly tamed the land today and Cows and Sheep are what provides for the current look of the landscape, but you are never far from a bit of rough ‘Gors’ (Marshland)or Waun (Moorland)

This is the land of the Welsh Annals of Arthur, Merlin and as written in the ‘Mabinogion’ https://en.wikipedia.org/wiki/Mabinogion Some of these Castells, Caers or Dinas are mentioned in the tales of the Welsh Annals and one such is “Craig Gwrtheyrn” situated on a dominating strategic outcrop, high above the Afon Teifi (River Teifi). This castell or fort was formerly know as “Caer Gwrtheyrn” (Vortigerns Castle) and written about by 9th century scholar Nennius quoting Saint Germinus.

The quote is read out in this video by Ella Jo , the performance is delivered in appropriate and usual dexterity adding to the mystical and mythical atmosphere as we peacefully drift over sheep chomping like there is no tomorrow, blissfully unaware of the human history , both mythical and real just meters below their feet.

DJI Mini 2 Drone Cinematic footage of Teifi Valley Hillforts Part Two Hen Castell and Pen Coed Foel

#DJI Mini 2, #Cinematic Footage, #Ancient Landscapes, #Arial Photography

Welcome to “Dronescaping “Ynys Prydein” for those of you who are not familiar this translates from old British or Welsh into English as “The Isle of Britain”

PILOT MINISERIES Part Two : “Hen Castell” Hillfort WA2193 and “Pen Coed Y Foel Camp” Hillfort WA2302

This is a pilot two part series, looking at three Iron Age Hillforts overlooking The Teifi Valley in Wales.

This is part two of my series pilot investigating and revealing private, hidden and secret Iron Age Hillforts, most yet to be investigated by Archaeologists.

Not much is known about these forts, communities and settlements , there is no doubt our ancestors in this part of the world utilized high promontories, atop deep cwms (narrow coombes or valleys) to either protect themselves or to show off to their neighbors or other would be adversary’s.

We are set in the kingdoms of West Wales, Ceredigion, Carmarthen, Pembrokeshire all counties in the former kingdom of Dyfed in Cymru in Ynys Prydien. Or sometimes this is spelt Prydian. There are literally hundreds of these hillforts scattered around this part of the world. Many are lost, sometimes they crumble into the Sea or sometimes they simply get ploughed out and forgotten. These are where the ancestors of these lands once lived, in this rugged and Atlantic affected part of the world where the ancient mountains, once high and sharp have been eroded by the eons and ground down by the glaciers, to form a rugged terrain of solid hills reaching up to 350 metres, with deep gullies or cwms to quickly dispose of the water dumped by the Atlantic Ocean. Farmers have mostly tamed the land today and Cows and Sheep are what provides for the current look of the landscape, but you are never far from a bit of rough ‘Gors’ (Marshland)or Waun (Moorland)

This is the land of the Welsh Annals of Arthur, Merlin and as written in the ‘Mabinogion’ https://en.wikipedia.org/wiki/Mabinogion Some of these Castells, Caers or Dinas are mentioned in the tales of the Welsh Annals and one such is “Craig Gwrtheyrn” situated on a dominating strategic outcrop, high above the Afon Teifi (River Teifi), we focused on this on part one . This episode focusses firstly on ‘Hen Castell’ in Carmarthen which rises on a promontory overlooking the Afon or River Teifi across from Llandysul which is on the Ceredigion side.’ Hen’ in Welsh means old so could be the early settlement predating Llandysul. It is interestingly opposite the ‘old’ church dedicated to the Welsh Saint Tysul who was related to the Welsh Patron Saint St David. There is no dating evidence for this Castell. It is situated on a promontory, jutting into the would be straight course of the River an it is about 80 to 100 feet higher than the surrounding topography, today it is forgotten by humans and is grazed by Horses and Sheep. Pen Coed Y Foel Camp is situated a mile to the north on a large dome shaped hill rising high above the Teifi as it rounds a bend. It has a flat top and is crowned by two solitary trees which distinguishes it for those with a trained eye within the surrounding landscape.

On the foot of the hill which I missed on the production of this two part-er, is another small fortress and a solitary standing stone. There have been artifacts found on Pen Coed Foel which places the dating around the classic La Tene stage pottery period (500 to 1BC~) The period more commonly known as The Iron Age. All three Hillforts visited are within a mile or two of each other and dare I say must have been related to one another in some way. It is said that in the time of the post Roman period with incursions from the Anglo Saxons in the East and with from the west from the Irish, The Picts and a plethora of other Mediterranean privateers, that the former Romanized Britons (Prydeins)~ once again refortified these hillforts and formed new mini kingdoms in a time of transition culminating in remembered history merging mythological and Christian meanderings to create the fabulous tales of the Mabinogion, put to pen many years later.

Adding to the mystical and mythical atmosphere, we peacefully drift over sheep chomping like there is no tomorrow, blissfully unaware of the human history , both mythical and real just meters below their feet.

The link to the Atlas of Hillforts https://hillforts.arch.ox.ac.uk/ “Hen Castell” Hillfort WA2193 and “Pen Coed Y Foel Camp” Hillfort WA2302 , Craig Gwytheryn” Hillfort WA2192

Dronescaping Ynys Prydain

“On this channel I will be sharing some of the fantastic hidden gems that inhabit one of the remotest and least populated areas of all England and Wales. I will be using my DJI Mini 2 drone to reveal fabulous birds eye views of some of these ancient Kingdoms historical and mythical Hillforts, Cairns, Stone Circles, Chambered Tombs, Standing Stones and other ancient artefacts.”

All music by Steve Spon.
The DJI Mini 2 Drone aircraft weighs less than 250 grams

Dronescaping Ynys Prydain Youtube Channel

Optimum Singularity

Nostramus #Ambient #DarkAmbient #Drum and Bass #ChillOut

A new single from Nostramus

“Optimum Singularity” is the third of a trio of singles I am releasing between February and May 2021 There are plans for an album but for the time being that project is now on hold but I will continue releasing single tracks in the meantime, perhaps summing together for an album combination later.
Depending on the style of each track from now on in I will be suffixing my Nostramus moniker with either #Ambient, #DarkAmbient #Drum&Bass #Glitchcore #Trapstep #OldSchoolDrumAndBass #Tribal #Cinematographic etc.
The above should distinguish the genre’s I work with. I am not a DJ Producer I am a musician Producer but I realize that DJs and listeners will like to know what genre I am producing.
I have an eclectic taste in my productions which are all broadly speaking ‘alternative’ and ‘underground’ rather than music produced purely for a commercial market. I make music that firstly I enjoy making and secondly if I feel good about a production I like others to enjoy as well.
“Optimum Singularity” what is it about?
Continuing the theme from “Multiversal” and “Crystalwytch” I am attempting towards lucid and dark realms of musical rotations that hopefully emulate visual manifestations orbiting around a musical and gravitational inevitability in temporal space. The music can be described as a helix ~ a spiraling circle in three dimensions as a metaphor for quantum tunneling and a theory that in some fashion Black Holes can channelize potential warp drive and create pathways to time travel and circumnavigating the Universe. The point of ‘Optimum Singularity’ being the perfect transcribe for a theoretical event that would open up a gateway to the infinite as proposed in Kubrick and Clarkes 2001 A Space Odyssey, an optimum singularity.
The oratory is a reading from Kingsnorth’s ‘The Wake’ spoken in a shadow language related to old english. It refers to the time of the Norman Conquest of England in 1066, where the former inhabitants were brutally defeated and subjugated. Wives (Wifmen) and daughters raped, villages and land burned to the ground and pillaged and the ordinary peasants turned to slaves for their new masters. The Norman’s whom by the way still cling to power in many cases in form of the landed aristocracy, in Britain. Our orature wanders the wasteland after losing his family and village and eventually teams up with the resistance fighting back against the Normans.

Recording? I use Cubase and a host of plugins these days to produce my music. I have recently upgraded my set up so now I have the added possibility of working my sound to moving video, which frankly adds another layer of inspiration to my work. Working to video blimey but it does open ones eyes to landscapes and soundscapes and all betwixt.
I hope you enjoy ‘Optimum Singularity’ released on the last of the pandemic lockdown Bandcamp Friday’s. However as I mentioned earlier there will be more tracks to come so please watch this space…

Thanks to everybody who has supported Nostramus.
lyrics
Words to poem coming soon….. 

credits

released May 7, 2021
Music conceived and written by Steve Spon for Nostramus.

license

all rights reserved

Crystalwytch

Nostramus #Ambient #Drum and Bass #ChillOut

A new single by Nostramus.

“Crystalwytch” is the second of a trio of singles I am releasing over February, March and April before a brand new album is released this summer.
Depending on the style of each track from now on in I will be suffixing my Nostramus moniker with either #Ambient, #DarkAmbient #Drum&Bass #Glitchcore #Trapstep #OldSchoolDrumAndBass #Tribal #Cinematographic etc.
The above should distinguish the genre’s I work with. I am not a DJ Producer I am a musician Producer but I realize that DJs and listeners will like to know what genre I am producing.
I don’t see why I should select one genre as has been suggested in the past. I have an eclectic taste in my productions which are all broadly speaking ‘alternative’ and ‘underground’ rather than music produced purely for a commercial market. I make music that firstly I enjoy making and secondly if I feel good about a production I like others to enjoy as well.
So ‘Crystalwytch’ what is it about?
Continuing the theme from “Multiversal” here the work is played out to Helen J Street’s lucid and phantasmagoric poem “The Crystalwych” which is whispered as in the breeze on a moonlit night. The ‘Crystalwych” could be described as analogous to a night time version of the ‘Green Man’ of the woods or a Druidic gathering in the Grove. Riding a chariot with seven jewel incrusted horses into the white marbled and sparkling heavens. A pagan allegory for what in realty is yet another alternative universe or simply a gentle attempt at autonomous sensory meridian response? In the poem things might not be the way they seem to be, the ‘Crystalwych’ may actually be a visitor from the other and the chariot and seven horses a craft sent from a far distant but mourned future. Who knows?
Moving on from the previous single ‘Multiversal’ I now re-enter the world of ambient and jazz flavoured drum and bass. I am not sure whether or not this would make a hard core floor filler, rather than attempting a mesmerising transcendent auditory meditation, or perhaps better still both. I have sat here with this song playing back in a loop and have been absolutely tripped out on it, of course I would say that but hopefully this will work the same way for at least some of you.
I am much indebted and would like to thank Ella Jo for her input here, for her whispered oratory. Also Tony “Redfish” Gee once more for his magnificent and succinct trumpet playing.
Tony recorded his trumpet remotely and I felt as always, quite confident that he would deliver. As a scientist in his day time job, he has that heightened empathy and love for the great British eccentricity that makes for a true thinking-outside-of-the-box, musician. Hopefully there will be much more “Redfish” collaborations in the future.
I enjoyed playing electric piano on this, which is how the idea kicked off. I laid down the chord progressions and then played a lead pattern over the top of the chords. The overall effect I was looking towards was ‘soft’ and ‘jazzy’ although I would be the first to admit that I am simply not good enough to play ‘proper jazz’. I do go for the mood that works and once I obtain something like the desired performance, I record it warts and all. I then refine and edit it into place.
Quantising? I think that subtlety and nuance is vitally important in performance. I used to quantise the f*** out of everything I played and eventually I came to realize that in certain cases there is a danger of throwing out the baby with the bathwater. I was super conscious of allowing as much free style playing as possible without severely quantising the vitality out of my performance. So I left as much heart and soul as possible in the played keyboard parts. However to counteract I sequenced a triad of quantised but hypnotic moving pads that nail down to the Drums and Bass.
I then plugged my guitar into my pedals and created some jagged but ephemeral washes that gently glide over the rhyme. Initially I had the guitar much louder over the song but I came to realize that ‘less is actually more’ at times when working on composition. When I turned them down in the mix , the whole song lept out of the speakers at me. So we are left with just a hint of their former glory. Who knows I may do a remix at some point with the guitars featured more. I am known for my guitar playing in post punk band UK Decay and IN Excelsis so its probably right to point the above out for those that may expect my usual guitar performance’s.
Recording? I use Cubase and a host of plugins these days to produce my music. I have recently upgraded my set up so now I have the added possibility of working my sound to moving video, which frankly adds another layer of inspiration to my work. Working to video blimey but it does open ones eyes to landscapes and soundscapes and all betwixt.

So I see “Crystalwytch” as part two of a trillogy, a further invitation to journey between musical dimensions. I hope it does it for you.

UPDATE: May 2021: You know, I am just going to carry on releasing solo or single tracks, hopefully monthly but my target is ten new tracks a year.

Thanks to everybody who has supported Nostramus. 

lyrics

Words to poem coming soon…..

credits

released March 5, 2021
Conceived, written and produced by Steve Spon for Nostramus.
Lyrics: “The Crystalwytch” by Helen J Street
Whispers: Ella Jo
Trumpet: Tony “Redfish” Gee
Electric Piano: Steve Spon
FX guitar Steve Spon
Thanks to Diamond Seeds Media Productions.

license

all rights reserved

Multiversal

Nostramus: Ambient #DeepSpace #ChillOut

A new single from Steve Spon’s Nostramus

Multiversal” is the first of a trio of singles I will be releasing over the next two months before a brand new album is released this summer.

From now on in I will be suffixing my Nostramus moniker with #Ambient, #DarkAmbient #Drum&Bass #Glitchcore #Trapstep #OldSchoolDrumAndBass #Tribal #Cinematographic

The above should distinguish the genre’s I work with. I am not a DJ Producer I am a musician Producer but I realize that DJs and listeners will like to know what genre I am producing.
I have an eclectic taste in my productions which are all broadly speaking ‘alternative’ and ‘underground’ rather than music produced purely for a commercial market. I make music that firstly I enjoy making and secondly if I feel good about a production I like others to enjoy as well.

So ‘Multiversal’ what is it about?

I rather like themes that are based on different quantum possibilities than we take for granted in our search to try and understand the world we are living in. Just suppose for one moment that time travel is possible.

Then how would this sound like how would it look, what about paradoxes? We can’t go back and stop our parents meeting. One idea is that is may be possible to journey forward in time, but not backwards. I like the possibility that the structure of time moving forward is rather like a tree. Maybe the Tree of Life? But in an infinite universe could it be plausible that at every moment there are choices and our sense of consciousness is merely traveling up through the branches, each time there is a choice, we take one new branch or another as we continue cursing along our destiny. Like a tree, what if other versions of ourselves took a different choice or were befallen by accidents and hiccups along parallel branches existing in unfolding and infinite universes? In some of these one may no longer exist or one may have taken a completely different journey in their lives. Could it be that we live in an infinite universe of infinite dimensions? Sometimes we may get a sense of a nearby universe or dimension where things are slightly different than our current journey. Could dreamtime or trance-time be a lowering of the veil between these worlds?

So I start the piece with a rather innocuous bar-room piano and it quickly rises and invokes in my mind a sonic dream sequence of arpeggios and other hypnotic shape shifting effects that rise and lull the listening into hopefully a higher state of sonic bliss as the motif’s rise and crescendo building with subliminal and phased drums that leap forward and back into the wash and waves of the invocation. Well that’s what I am calling it. I was tranced out into a state of bliss whilst making this, maybe if it can do it to me it can to others as well and so far, the folk I have played this to absolutely love it to bits as a ‘chilled out’ passage.

“Multiversal” was never meant to be a traditional Nostramus Drum And Bass sound but it was always part of a broader and more eclectic church in the sound I produce for Nostramus. Who knows maybe in the future it is possible I will remix it in another style, maybe? I have so many other ideas to work on it may be sometime before I re-address it with another mix.

Recording? I use Cubase and a host of plugins these days to produce my music. I have recently upgraded my set up so now I have the added possibility of working my sound to moving video, which frankly adds another layer of inspiration to my work. Working to video blimey but it does open ones eyes to landscapes and soundscapes and all betwixt.

So I see “Multiversal” as an invocation, an invitation to journey between musical dimensions. I hope it does it for you. 

lyrics

Instrumental.

“This is a deep spacial ambient mix, designed as an invocation to reset and relax mental stress in its hypnotism” Steve Spon.

credits

released February 5, 2021
Conceived, written and produced by Steve Spon for Nostramus.
Thanks to Diamond Seeds Media Productions.
Thanks to Ella Jo for moral support.

Witches And Halloween :

Find out more about witches and what they mean.

Of Late I have taken to creating Youtube Movies, utilising my audio and music productions with film.

Steve Spon
Find out more about witches and what they mean.

Reckless Relic Halloween Podcast.

THIS VIDEO IS A MUST FOR HALLOWEEN!

Why are Witches associated with Halloween?

Ancient and pagan wisdom from the heart and soul In this podcast Ella Jo from Reckless Relic talks about Halloween during the time of Covid and how deeper meanings can be learned.

Spoken Covering perspectives from folklore and lessons we can learn from our own times, content is distinctively spooky for mature viewing.

Produced by Diamond Seeds Media, featuring adaptive sound sculpture by Steve Spon for Nostramus. Spon’s musical presentation here finds him at his hellish best! Spon is a member of UK Decay famous for their early gothic sound and in particular the Black Cat EPO and The early gothic noire “Werewolf” on the Rising From The Dread EP. Spon is in good form at the moment , he is using his covid time to create fantastic sounds and video. Please check back for further Lockdown presentations.

Witches Halloween T Shirts are on sale all year round at…. https://recklessrelic.com/

Scythian Art

A Reckless Relic film, giving a brief history and some examples of Scythian art.

A warm welcome and thanks for visiting my media website.

Of Late I have taken to creating Youtube Movies, utilising my audio and music productions with film.

Steve Spon
A Reckless Relic film, giving a brief history and some examples of Scythian art.

A Reckless Relic film, giving a brief history and some examples of Scythian art. Surviving relics portray a fascinating culture that had no writing, but produced extraordinary art. Note – pictures are for illustration and not necessarily linked to any specific examples being discussed in the film, unless otherwise stated. Also, this film features mummies and human remains that may not be suitable for the young or the squeamish. Written and narrated by Ella Jo, produced and filmed by Diamond Seeds Media with music by Steve Spon’s Nostramus. Scythian Article Transcript: https://recklessrelic.com/cleaning-up…

Look out for our Reckless Relic Scythian T Shirt Design : https://recklessrelic.com/

“Crystalwytch”

A Moody dash-cam drive along The Shining Way in
West Wales on Xmas Eve.

A Moody dash-cam drive along The Shining Way in
West Wales on Xmas Eve.

Mission 6 of our Dash-cam journey through the West Wales countryside. With music by Steve Spon’s Nostramus.

Today’s brand new Nostramus track is called “Crystalwytch” an ambient Drum and Bass soundscape featuring Tony Gee on Trumpet, Ella Jo on Vocals and Steve Spon on FX guitar and Electric Piano.

I am producing this and other material for a forthcoming album project which will be highlighted on my Bandcamp channel. This new work is based on a short science fiction fantasy story involving Pagan Goddesses, Druids and the mysteriously named “Coveners” who ‘cloak’ their real identities as time traveling extra terrestrial providers and you could say – gardeners. The ‘Crystalwytch’ could be the visitors craft or it may be the name of one of the visitors, or even a place. Who knows, it was at story written many years in the future. It is impossible to report it here. Please consider supporting Steve at Nostramus Bandcamp.

With the current Lockdown and the darkest time of year – with snowy weather, it has not been possible to travel to the mountain journeys that I had planned. However on Christmas Eve 2020 I managed to take some footage that fitted a mood that appealed to me. I set the video to play with the song, and came up with “Crystalwytch”. This drive takes place just after sunset along a Ceredigion Ridgway approximately 1000 foot (300 Metres) above Sea Level. Known locally as the White, or Shining Way, the journey traverses the road from Pen Cae and finishes at Post Bach. Whilst the views may be rather “ordinary” compared to some earlier videos, the moody atmosphere and brooding cloudscapes appear auspicious. windswept, bedraggled Beech, Laburnum and Pine trees scatter the hedgerows, and the odd croft or farmstead are often decorated with Christmas lights. Also the road was slightly busier than usual. Although not set for kids, this particular movie is actually safe for kids to watch. Please check all my videos before allowing your kids to watch.

Big thanks to Tony Gee (Redfish) for his speedy and magnificent Trumpeteering and Ella Jo for her “Crystalwytch Prophesy Poem”, finally Spon played Electric Piano and guitar fx. Please check back later for further dash-cam journeys! we are going to journey further into the Cambrian Mountains as soon as we get a few good clear days…. Written and conceived by Steve Spon for Nostramus and Diamonseeds Media 2021

Aberystwyth to New Quay at 200mph along the Coast Road

Mission 5 of our dashcam journey through the Wales countryside.

Mission 5 of our dashcam journey through the West Wales countryside.

This time we are heading from Penparcau in Aberystwyth to New Quay along the A487 west coast road, a distance of 22 Miles (35 Kilometres).

According to Bing Maps that journey would normally take 39 minutes as there are numerous hills to navigate along with a host of villages and small towns that have speed limits. Today for this video we have reduced the journey time to 9 minutes by speeding up the video 4 times, which means our journey speed varies from 80 MPH to well over 200 MPH at times depending on speed and safety considerations. The average speed turns out to be 163 MPH…phew!

At no point in the real time journey was the legal speed limit broken and road safety was at all times the primary consideration This road is known and used by many who travel to West Wales on summer vacations and it has some spectacular views of Cardigan Bay and the mountains of Cadair Idris and Snowdonia. On clear days the mountains of the Lleyn Peninsular can be seen marching out to Sea to the North West. Also to the south on a clear day the distant Mynydd Preseli mountains can be seen.

So please buckle up your seat belts, turn up your sound, put your feet up and enjoy the journey. Yet again there are brand new sounds from Steve Spon’s Nostramus, this time there are three movements, “Temporeral”, “Levelling Up” and “Disshevelance”. Big thanks once more to Ella Jo’s wonderfull contribution on “Levelling Up” Please bear in mind these videos are meant for adults rather than kids to enjoy. This has to be defined by Youtube these days, whhich have a much stricter set of protocol’s to navigate if the video involves entertaining kids. In this video please be aware there is some “Explicate Content” in the words. Big thanks to Shaman Murphy and Ella Jo for company on the trips Please check back later for further dashcam journeys! we are going to journey further into the Cambrian Mountains as soon as we get a few good clear days….